The Glass of Fashion
The glass of before is always already full.
So the gee-gaws and knick-knacks of the new
occupy me. Whenever I’m awake,
I buy and buy. Hence the trope of the lake:
My blue eyes mirror its empty one
like the lady who cannot be thought,
being so unformed, so made of silt
and veils of loam that she really is not.
Clothes don’t veil, but shape, harmonizing
with mood, draping one in choral
folds or pleating the bosom in sweet florals––
or so I think under impulse’s spell.
The recent purchase of the teal blue top,
silk, with ties under the bosom, is a sop
to hope, like the paisleys of my youth,
which, in style again, have the look of old truths,
meritorious ideals, so I buy flocks.
I’d always been belated, archaic.
The just resurrected bell bottoms appease
my lapsed left-wing politics; the denim
cuffs chime at my ankles.
It’s the process
Of wanting, looking, touching, that addresses
the hole––where easy sleep, a self that needs
neither defence nor hyperbole,
where family goes––can be occupied
by closets full of skirts. The day’s pick, eyed
for hours, is tried on and replaced until mood
is satisfied and style unclouded
by utility. Always, the slim catalogs
in saturated colors, the models’ swim-
muscled arms disposed sculpturally, dog
me with knowledge––the gnaw of fat, age, death.
The knowledge of death is the fuel of fashion.
The glass of before, full of past passions,
must be emptied, readied for new libations.
The new red dress, its hem a fillip
of silk, pleases me. It narrows my hips,
filling me with desiring to be full,
making me think I am, for a minute, whole.
A poet and teacher, Mary Moore has poems forthcoming in Evolutionary Review, an interdisciplinary journal of arts and sciences at SUNY, and has published most recently in both on-line and print magazines including Connotations Press; 2river view; American Poetry Journal; Prairie Schooner; Literary Mama Anthology; Coal, an Anthology; Kestrel; Sow’s Ear Review. Previous credits include Field, Poetry, New Letters, Prairie Schooner, Nimrod, Negative Capability, Quercus, Mockingbird and other little magazines. Her book, The Book of Snow, came out from Cleveland State U. Poetry Center in 1997, and a critical book, Desiring Voices, Women Sonneteers and Petrarchism, came out in 2000 from Southern Illinois University Press. She teaches poetry and Renaissance literature including Shakespeare at Marshall University in Huntington, West Virginia and has a wonderful daughter who is an attorney in Northern California.